Kaleidoscope1 ♣ 1860 ♣ 37.8136 ° S, 144.9631° E ♠ (1,215,88) ♣ أ ♠ Bh
Kaleidoscope2 ♥ 960 ♥ 40.0691 ° N, 45.0382° E ♣ (115,8,0) ♥ א ♣ Li
Kaleidoscope3 ♠ 408 ♠ 40.712 ° N, 74.0060° W ♥ (250,164,2) ♠ 見 ♥ Ra
Kaleidoscope4 ♣ 372 ♣ 8.7832 ° S, 34.5085° E ♦ (43,250,250) ♣ A ♠ Au
Kaleidoscope5 ♥ 1206 ♥ 48.8566 ° N, 2.3522° E ♥ (34,66,124) ♥ 古 ♣ Bh
Kaleidoscope6 ♥ 1507 ♠ 31.7683 ° N,35.2137° E ♦ (19,14,10) ♠ አት ♥ Li
Kaleidoscope7 ♠ -334 ♠ 40.4637 ° N, 3.7492° W ♥ (255,215,0) ♠ ਏ ♠ Ra
Kaleidoscope8 ♣ -3372 ♣ 33.8938 ° N, 35.5018° E ♠ (133,6,6) ♣ এটি ♠ Au
Kaleidoscope9 ♥ 1325 ♥ 21.9555 ° N, 96.073° E ♣ (158,14,64) ♥ α ♣ Bh
Kaleidoscope10 ♦ -1240 ♠ 54.8019 ° S, 68.3030° W ♥ (206,206,206) ♠ أ ♥ Li
Kaleidoscope11 ♥ 27 ♣ 37.8136 ° S, 144.9631° E ♦ (254,253,240) ♣ א ♠ Ra
Kaleidoscope12 ♦ 372 ♥ 40.0691 ° N, 45.0382° E ♥ (1,215,88) ♥ 見 ♣ Mg
Kaleidoscope13 ♠ -604 ♠ 40.712 ° N, 74.0060° W ♦ (115,8,0) ♠ A ♥ Lv
Kaleidoscope14 ♣ 1860 ♣ 8.7832 ° S, 34.5085° E ♠ (250,164,2) ♣ 古 ♠ Og
Kaleidoscope15 ♥ 960 ♥ 48.8566 ° N, 2.3522° E ♣ (43,250,250) ♥ አት ♣ Pt
Kaleidoscope16 ♥ 408 ♦ 31.7683 ° N,35.2137° E ♥ (142,84,52) ♦ ਏ ♥ Kr
Kaleidoscope17 ♠ 372 ♥ 40.4637 ° N, 3.7492° W ♥ (34,66,124) ♥ এটি ♦ Au
Kaleidoscope18 ♣ 1206 ♠ 33.8938 ° N, 35.5018° E ♠ (19,14,10) ♠ អេ ♥ Bh
Kaleidoscope19 ♥ 1507 ♣ 21.9555 ° N, 96.073° E ♣ (255,215,0) ♣ α ♠ Li
Kaleidoscope20 ♥ -334 ♥ 54.8019 ° S, 68.3030° W ♥ (133,6,6) ♥ أ ♣ Ra
Kaleidoscope21 ♠ -3372 ♠ 37.8136 ° S, 144.9631° E ♥ (158,14,64) ♠ א ♥ Au
Kaleidoscope22 ♣ 1325 ♥ 40.0691 ° N, 45.0382° E ♠ (206,206,206) ♣ 見 ♠ Bh
Kaleidoscope23 ♠ -1240 ♠ 40.712 ° N, 74.0060° W ♣ (254,253,240) ♥ A ♣ Li
Kaleidoscope24 ♣ 27 ♣ 8.7832 ° S, 34.5085° E ♠ (34,66,124) ♠ 古 ♥ Ra
The Kaleidoscope is a perfect example of an instrument that allows the creation of infinite figures from a single set of material fragments.
It is common to have colored glass crystals in a Kaleidoscope, but there are also Kaleidoscopes made from colored pieces of plastic, beads or other materials.
A subtle play of mirrors reflects the light and offers the curious eye a myriad of shapes and color combinations.
Schopenhauer uses the image of the Kaleidoscope to illustrate his discussion of metempsychosis.
"The history, however much it pretends to always tell us something new, is like the kaleidoscope: each movement presents us with a new configuration, and yet it is, in fact, the same elements that always pass before our eyes. »
One of the strongest ideas of metempsychosis is the proximity of the living world around us, the human, and animal or plant kingdom.
What interests me about Kaleidoscope is the possibility of creating infinite stories from a limited number of fragments. This is thanks to a set of mirrors, light and of course the different movements made by the observer.
It is like a creative process where the creator captures fragments, ideas, inspirations, and transforms them thanks to his intelligence, sensitivity or chance to create a story, a painting, a met, a theorem or musical notes.
In the Kaleidoscope series I present fragments - usually drawings - which I have combined to form final paintings or which have a life of their own.
In the hope that they will in return be discovered by someone who will take inspiration from them to write another story imbued with his sensitivity and identity.
It is common to have colored glass crystals in a Kaleidoscope, but there are also Kaleidoscopes made from colored pieces of plastic, beads or other materials.
A subtle play of mirrors reflects the light and offers the curious eye a myriad of shapes and color combinations.
Schopenhauer uses the image of the Kaleidoscope to illustrate his discussion of metempsychosis.
"The history, however much it pretends to always tell us something new, is like the kaleidoscope: each movement presents us with a new configuration, and yet it is, in fact, the same elements that always pass before our eyes. »
One of the strongest ideas of metempsychosis is the proximity of the living world around us, the human, and animal or plant kingdom.
What interests me about Kaleidoscope is the possibility of creating infinite stories from a limited number of fragments. This is thanks to a set of mirrors, light and of course the different movements made by the observer.
It is like a creative process where the creator captures fragments, ideas, inspirations, and transforms them thanks to his intelligence, sensitivity or chance to create a story, a painting, a met, a theorem or musical notes.
In the Kaleidoscope series I present fragments - usually drawings - which I have combined to form final paintings or which have a life of their own.
In the hope that they will in return be discovered by someone who will take inspiration from them to write another story imbued with his sensitivity and identity.